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I.On
Christmas Day
II. The Blessed Virgin compared to the Air we
Breathe
III. Rosa Mystica
IV. The Stars
Duration: 18 minutes
Difficulty rating (1-5): 4
SATB a cappella
Christmas texts in English by Gerard Manley
Hopkins
Commissioned by the South Bend Chamber Singers,
directed by Dr. Nancy Menk, and premiered December 19, 2004 in
the beautiful Loretto Chapel on the campus of St. Mary’s
College. A giant snow and ice storm closed the highway from
Chicago to South Bend, causing me to not be able to attend this
premiere, a major disappointment.The texts by Hopkins are celestial and cerebral at the
same time. It was an honor to set these texts for a great
director and choir.
Complete perusal score available upon request.
What others say: "I commissioned a major work for
Christmas, "The Bethlehem Star," from Paul in 2004. Audience reaction
to the work was wonderful, and the singers truly enjoyed learning and
performing the work. Paul made every attempt to give us what we asked
for, on time, and he is most willing to attend rehearsals and provide
helpful comments. I have performed and recorded other works of Paul's
as well, and will give the premiere of the SATB version of his
delightful "Play with Your Food" cycle in March, 2005. He is an
excellent composer who is not locked into one particular style or
harmonic language. I look forward to playing through each new work that
he sends along."
-- Dr. Nancy Menk
Program Notes from
Premier Performance of
the South Bend Chamber Singers
When I was asked by Dr.
Nancy Menk to compose a large scale piece for the South Bend
Chamber Singers for their 2005 Christmas concert, I immediately
knew what I wanted to do. The year before Nancy had performed my
setting of a short poem by the early twentieth century English
poet Gerard Manley Hopkins called On Christmas Day which speaks of
the power of Jesus to transfigure or renew us all. I decided I
would search for more Hopkins texts about Christmas and make a set
of pieces. I soon discovered poems of glorious power and mystery,
and also discovered Hopkins’ deep interest in nature and
especially, the sky both during day and night. In fact, I was to
discover that he wrote countless poems just about the sky, some
only a few lines long and
unfinished.
The completed set I have composed somewhat tells the story of the
Magi and “the Bethlehem Star”. In the first movement we learn of
“the Bethlehem Star” and where it leads. In movement two, Hopkins
discourses on the Virgin Mary in a rather scholarly, yet still
mystical manner. The third movement harkens back to an early
poetic tradition comparing Mary and the infant Jesus to a rose
bush and its blossom and our reverence for both. Finally, in the
fourth movement, we have one of Hopkins “night sky” poetic
fragments, which I have used to imply that we are all points of
light in the world (and bearers of gold, frankincense and myrrh!),
and the one original Bethlehem star is now many. It’s also worthpointing out that in Hopkins world humanity, heaven, space,
and time seem to float in an exhilarating universal ether, and I
have tried to represent that floating “out of time” character in
the music at times.
As I pieced these poems and my original music together I felt that
there was still something needed to tie all these amazingly
complex and mystical poems of Hopkins together. With some help
from a few knowledgeable church musician friends, I discovered a
Latin Christmas chant which seems to foreshadow each of Hopkins
poems and its larger meanings. That chant text is Videntes Stellam Magi,
and used in fragments, the text introduces each of Hopkins poems
and ties it to the story of the Magi. And a final note, those with
a good ear may notice that
Videntes Stellam Magi is also the source
tune for Good Christian Men, Rejoice.
I would like to thank Dr. Menk for her continuing support and this
opportunity to write a new piece for her wonderful choir, The
South Bend Chamber Singers.
-
Paul Carey
TEXTS
Videntes stellam Magi
(employed as fragments)
Videntes stellam Magi When the Magi saw the star
gavisi sunt gaudio magno: they rejoiced greatly:
et intrantes domum inveneruntand entering the house they found
puerum cum Maria, matre eus,the child with Mary his mother,
et procidentes adoraverunt eum.and they fell down and worshipped him.
Et apertis thesauris suis, And when they had opened their coffers,
obtulerant ei munera: they offered him gifts:
aurum, thus, et myrrham. gold, frankincense, and myrrh.
I. On Christmas Day
Moonless darkness stands
between,
Past, the past, no more be
seen!
But the Bethlehem star may
lead me to the sight of Him
from the self that I have
been.
Make me pure, Lord:
Thou art holy,
Make me pure, Lord:
Thou wert lowly;
Now beginning, and alway:
Now begin on Christmas day.
II. The Blessed
Virgin compared to the Air we Breathe
Wild air, world-mothering
air, nestling me everywhere,
This air, which, by life’s
law, My lung must draw and draw
Now but to breathe its
praise, Minds me in many ways
Of her who not only Gave
God’s infinity Dwindled to infancy
Welcome in womb and
breast, Birth, milk, and all the rest
But mothers each new grace That does now reach our
race.
I say that we are wound
With mercy round and round
As if with air: the same
Is Mary, more by name,
Of her flesh he took
flesh: He does take fresh and fresh,
Though much the mystery
how, Not flesh but spirit now
And makes, O marvellous!
New Nazareths in us,
Where she shall yet
conceive Him, morning, noon, and eve;
New Bethlems, and he born
There, evening, noon, and morn-
Bethlem or Nazareth, Men
here may draw like breath
More Christ and baffle
death;
Who, born so, comes to be
New self and nobler me
In each one and each one
More makes, when all is done,
Both God’s and Mary’s Son.
Again, look overhead How air is azured;
O how! Nay do but stand
Where you can lift your hand
Skywards: rich, rich it
laps Round the four fingergaps.
Be thou then, O thee dear
Mother, my atmosphere.
Stir in my ears, speak of
God’s love, O live air, Of patience, penance, pray’r:
World-mothering air, air
wild, Wound with thee, in the isled,
Fold home, fast fold thy
child, Mother, my atmosphere.
III. Rosa
Mystica
The rose in a mystery-
where is it found?
Is it anything true?
Does it grow upon ground?
It was made of earth’s
mould but it went from men’s eyes
And its place is a
secret and shut in the skies.
In the gardens of God, in the daylight divine
Find me a place by thee, mother of mine.
But where was it
formerly? which is the spot
That was blest in it
once, though now it is not?-
It is Galilee’s
growth: it grew at God’s will
And broke into bloom
upon Nazareth hill.
In the gardens of God, in the daylight divine
I shall look on thy loveliness, mother of mine.
What was its season
then? how long ago?
When was the summer
that saw the bud blow?-
Two thousands of years
are near upon past
Since its birth, and
its bloom, and its breathing its last.
In the gardens of God, in the daylight divine
I shall keep time with thee, mother of mine.
Tell me the name now,
tell me its name.
The heart guesses
easily: is it the same?-
Mary the Virgin, well
the heart knows,
She is the mystery,
she is that rose.
In the gardens of God, in the daylight divine,
I shall come home to thee, mother of mine.
Is Mary the rose,
then? Mary the tree?
But the blossom,
the blossom there, who can it be?-
Who can her rose
be? It could be but one:
Christ Jesus, our
Lord, her God and her son.
In the gardens of God, in the daylight divine
Shew me thy son, mother, mother of mine.
What was the
colour of that blossom bright?-
White to begin
with, immaculate white.
But what a wild
flush on the flakes of it stood
When the rose ran
in crimsonings down the cross-wood!
In the gardens of God, in the daylight divine
I shall worship His wounds with thee, mother
of mine.